IDPF Digital Book 2009: Forget DRM

The afternoon panels and presentations at yesterday's International Digital Publishing Forum (IDPF) Digital Book 2009 were filled with promises of impending hardware and software innovations. Sony Director of Business Development Bob Nell talked about the number of outlets that will be selling the Sony Reader next Christmas--6,000, which is double last year's number--and hinted that wireless and Mac-compatible readers are on the horizon. Adobe's Nick Bogaty demonstrated how the latest version of CS4 allows direct (and reflowable) ePub export from InDesign. Lexcycle's Neelan Choksi showed Stanza's true range--the iPhone app comes in 12 languages, 21 fonts, and a stunning 135 font colors, plus background textures--and its 1.8 million users come from 60 countries.

But the major theme of all the talks was--ultimately, and appropriately--the consumer. As Smart Bitches, Trashy Books blogger Sarah Wendell put it, what all readers want is a device that is "durable, flexible, accessible, affordable....[Readers] can help you grow the digital book market if you stop creating obstacles for them."

One current obstacle, said panelists at "Emerging eBook Business Models...and the Role of DRM," is DRM. Here's what Andrew Savikas, VP of Digital Initiatives at O'Reilly, had to say.

Direct book sales through O'Reilly's website make up 10% of its business, and most of those sales are digital books. When customers buy eBooks directly through the site, they receive free lifetime updates--and the books are DRM-free. Meanwhile, because of those benefits, O'Reilly has been able to sustain an eBook price that is 80% of the print book price.

Best of all, eBook sales have impacted print sales positively. For example, O'Reilly offers its book iPhone: The Missing Manual by David Pogue as an iPhone app, a printed book, and an eBook. When O'Reilly raised the app's price, fewer people bought the app AND sales of the printed book on Amazon fell. When O'Reilly lowered the app's price, people bought more copies of both the app and the printed book.

Someone's Using the Sony Reader

While eagerly awaiting Kindle, netGalley, and all the other cool launches in 2008, some publishers are working with what we have in the here-and-now: the Sony Reader. Simon & Schuster started giving it (officially, The Reader Digital Book) to sales reps, so that they could download manuscripts at will, and carry the Reader on their travels. It saves time and money (the cost of copying and mailing the paper version), not to mention the hassle of lugging all those pages around, notes Adam Rothberg, VP, Corporate Communications at S&S. Reps plug their Reader into their computer and log onto a dedicated site to choose what they'd like to download. Other MS Word documents can also be offloaded directly from the computer.

The experiment has been so successful that editorial departments are also trying it out. Free Press was the first, with proposals and manuscripts being read on the Reader. Though bookmarking is possible, editing and note taking are not. And, the Reader has no backlight, making middle-of-the-night reading (which in the early days of ebook devices was always a selling point) a nonstarter. "It's definitely a mindset adjustment," says EVP and Publisher Martha Levin, but well worth making for the efficiences it offers.

The proof, as they say, is in the imprint pudding, with Touchstone/Fireside and Pocket Books editorial now on board. It's too early to say how widespread this adoption will be, but the anticipated savings of close to six figures is a good incentive.

BuzzFeed: More about the Reader's homelier sister